Saturday 17 February 2018, PM

Elveden reporters cleared, advertisers editorial influence, media election fever

Paying public officials for stories, naming sex offence suspects, The Sun’s political clout

Media Masters - John Myers

Selling BBC Three, Jihadi John, editorial standards at MailOnline

Media Masters - Tim Arthur

BBC competition with local media, online advertising laws reporting ISIS

Media Masters - Andria Vidler

New editor at The Economist, Netflix s expansion, Page 3 shenanigans

Media Masters - Raymond Snoddy

Charlie Hebdo, the PR-journalism power balance, General Election debates

Media Masters - Jim Al-Khalili

Alan Rusbridger, Exaro investigations, the media in 2014

Media Masters - Peter Watt

'The Paedophile Next Door', UK local TV, and Scotland's 'The National'

Media Masters - David Cohen

Reporting terrorism, digital advertising, CNN s Russian withdrawal

Media Masters - Torin Douglas

Automated news sites, online streaming, corporate PR papers

Police and journos, Farage on TV, and is the news bad for us?

Media Masters - Barry McIIheney

Brooks Newmark, state-educated journalists, and the FM switchover

Media Masters - David Puttnam

Launch Episode

Breaking News, the BBC Trust, Is Print Dead?

Immigration, the March to Digital, the Lib Dem Blues.

Dacre, SuperBowl, Politics and Top Gear

Social Media, Election Trolling, and Drones

BBC Cuts, Greenwald's Intercept, and Piers Morgan

Editorial Freedom, Equality, The Licence Fee

Celeb Deaths, Hate Speech and Curated Content

UKIP, Lenny Henry, and London Live

Channel 5, Journos in PR, Courtroom TV

Media Masters - Popbitch's Camilla Wright

New BBC Trust Chair, crowdfunding the news, Kate s bottom

Newsnight's future, data journalism, and town hall Pravdas

The right to be forgotten, TV's stubborn popularity, and the end of lads' mags?

Media Masters - Bob Leaf, former International CEO of Burson-Marsteller

Media Masters - Ben Page, Chief Executive of Ipsos MORI

TV news impartiality, Sky invests in virtual reality, robot journalists

Politically sensitive adverts, Scottish Independence, and interactive TV

Training war correspondents, IPSO, and newspaper barons

Referendum bias, podcasting, and political phone-ins
Wednesday 14 February 2018, PM

Trinity Mirror CEO Simon Fox on buying the Express, Star and OK

Ten gigabit home broadband tested in UK
Broadband speeds of up to 10 gigabits per second have been tested in a home in the former Olympic village in east London. Broadband operator Hyperoptic conducted the test, claiming it is the first time such speeds have been brought to a UK home using an existing ISP network rather than a dedicated line. - www.bbc.co.ukFriday 09 February 2018, AM
Thursday 08 February 2018, AM

viewers hail 'Scotland's return'
Despite the huge increase in the number of searchable locations online, some viewers were annoyed their home towns and cities were not shown on the main TV forecast map. Weather forecasts have formed part of the BBC's output for almost a century - the first radio weather bulletin was broadcast on 14 November 1922 while daily bulletins began on 26 March 1923. - www.bbc.co.ukWednesday 07 February 2018, PM
Thursday 01 February 2018, PM

Most UK kids now reject TV for personal devices
For the first time this year the majority of UK children view most video content on devices other than traditional TV sets, according to a new study into kids' media consumption. For the report it independently surveyed more than 2,000 children in schools across the UK about media consumption, purchasing and social habits as well as key behaviour. - tbivision.comWednesday 31 January 2018, PM
Monday 29 January 2018, AM

Normalising our loudness
All you need is LUFS. The current broadcast standards for loudness are based around the ITU-1770 measurement recommendation, and the EBU R-128 recommendation which specifies a target integrated loudness of -23LUFS. This value works really well in the home and is the standard for our HD television transmission, but when a programme recorded to an integrated loudness value of -23 LUFS is played in a noisy environment on portable equipment with its legal volume limits, it can sound very quiet compared to commercial music, and at worst it can become inaudible against the background conditions. If we were just processing speech, we might go for a greater reduction in the loudness range, just pop music, we might look for higher integrated loudness values. - www.bbc.co.ukpick a page